Ekavi Kuvempu Janmashathamanothsava

Ekavi Kuvempu Janmashathamanothsava 12-12-2004 program on you tube now [Videos 1 to 35 ALL]

Ekavi Kuvempu Janmashathaman othsava 1

Starting elladaru iru song…
http://www.youtube.com/watch?v=pWCASWMxNH8

Ekavi Kuvempu Janmashathaman othsava 2

Natya Dharmi Dance School – Deepthi Srinivas and Music Party,

Dancers Mithun Shyam, Bhamini Boppanna, Deepthi Hanumanthaiah, Shabdha Shyam, Thrupthi Hanumanthaiah
http://www.youtube.com/watch?v=21W4bP51qsk&feature=related

Ekavi Kuvempu Janmashathaman othsava 3

Natya Dharmi Dance School  and Deepthi Srinivas and Music Party,

Dancers Mithun Shyam, Bhamini Boppanna, Deepthi Hanumanthaiah, Shabdha Shyam, Thrupthi Hanumanthaiah

http://www.youtube.com/watch?v=a6C3We7cLbk&feature=related

Ekavi Kuvempu Janmashathaman othsava 4

Natya Dharmi Dance School and Deepthi Srinivas and Music Party,

Dancers Mithun Shyam, Bhamini Boppanna, Deepthi Hanumanthaiah, Shabdha Shyam, Thrupthi Hanumanthaiah

http://www.youtube.com/watch?v=9qfjhB2t_sk&feature=related

Ekavi Kuvempu Janmashathaman othsava 5

Natya Dharmi Dance School and Deepthi Srinivas and Music Party,

Dancers Mithun Shyam, Bhamini Boppanna, Deepthi Hanumanthaiah, Shabdha Shyam, Thrupthi Hanumanthaiah

http://www.youtube.com/watch?v=1-SJBpDjSQc&feature=related

Ekavi Kuvempu Janmashathaman othsava 6

Natya Dharmi Dance School and Deepthi Srinivas and Music Party,

Dancers Mithun Shyam, Bhamini Boppanna, Deepthi Hanumanthaiah, Shabdha Shyam, Thrupthi Hanumanthaiah

Hon. Former PM Sri. H D Deve Gowda arrives, Dr. G S S, Dr. Kambara, Dr. Hanumanthaiah, Sri Mukhya Mantri Chandru,

Sri. T M Sathish, Sri. Ramaiah, KRV’s Narayana Gowda, Sri. B. L. Shankar,

Inaguration and  jyothi , Sri H D Deve Gowda Speaks and leaves,
http://www.youtube.com/watch?v=FkepiQSCyXw&feature=related

Ekavi Kuvempu Janmashathamanothsava 7

Honoring Sri. B M Ramaiah, Mysore Bank Manager and KRV’s President T A Narayana Gowda
http://www.youtube.com/watch?v=xKB2iVKT99I&feature=related

Ekavi Kuvempu Janmashathamanothsava 8

Honoring KRV’s President T A Narayana Gowda , Prize distribution for winners by Dr. Kambar, Dr. G S S,

Prize distribution for winners by Sri. Mukhya Mantri Chandru,
http://www.youtube.com/watch?v=gTX1Wc1QHi0&feature=related

Ekavi Kuvempu Janmashathamanothsava 9

Prize distribution for winners by Dr. Hanumanthaiah and Sri B L Shankar, Prize Distribution by V M Kumaraswamy

EKAVI inuku nota by Sri. K. T Jagadish,
http://www.youtube.com/watch?v=gX_mQlQCFV0&feature=related

Ekavi Kuvempu Janmashathamanothsava 10
Dr. Chandrashekara Kambar Speaks – Dr. Hanumanthaiah MLC Speaks
http://www.youtube.com/watch?v=UAkg4iqC1XY

Ekavi Kuvempu Janmashathamanothsava 11
Dr. Hanumanthaiah MLC ,
http://www.youtube.com/watch?v=F6JKewlkyvg

Ekavi Kuvempu Janmashathamanothsava 12
Dr. Hanumanthaiah MLC, Sri. B. L Shankar, Sri. Mukhya Mantri Chandru MLC Speaks,
http://www.youtube.com/watch?v=pMdnzbteSI8

Ekavi Kuvempu Janmashathamanothsava 13
Sri. Mukhya Mantri Chandru, Sri. T. M. Satish Speaks,
http://www.youtube.com/watch?v=52JfQR-hU-Y

Ekavi Kuvempu Janmashathamanothsava 14
Sri. B. M. Ramiah, Sri. KRV’s T. M. Narayana Gowda Speaks

http://www.youtube.com/watch?v=irglS-ltPLw

Ekavi Kuvempu Janmashathamanothsava 15
Sri. KRV’s T. M. Narayana Gowda, Website Udghatane, Dr. G.S.S Speaks
http://www.youtube.com/watch?v=GcmXoYJ8p88

Ekavi Kuvempu Janmashathamanothsava 16
Dr. G.S.S Speaks
http://www.youtube.com/watch?v=4uP_9V8ZKZo

Ekavi Kuvempu Janmashathamanothsava 17
Dr. G. S. S. Speaks,
http://www.youtube.com/watch?v=ugi-QXLsT2s

Ekavi Kuvempu Janmashathamanothsava 18
Dr. G .S. S. Speaks, Honoring Guests,
http://www.youtube.com/watch?v=f63bksTjzTA

Ekavi Kuvempu Janmashathamanothsava 19
Honoring Sri. Srinivas G Kappanna, Sri. C. Ashwath, Smt. Prema Karanth
Sri. C. Ashwath Sings, NS Prasad, Shabir Ahmed, Sri. Lokesh
http://www.youtube.com/watch?v=CITcDIIO4Y0

Ekavi Kuvempu Janmashathamanothsava 20

Sri. C. Ashwath and Party Singing

http://www.youtube.com/watch?v=yN-MPAS6nos

Ekavi Kuvempu Janmashathamanothsava 21

Sri. C.  Ashwath and party  singing,
http://www.youtube.com/watch?v=XEHSma2RDc0

Ekavi Kuvempu Janmashathamanothsava 23
Sri. C.  Ashwath and party  singing,
http://www.youtube.com/watch?v=9c5GkJ4FGdQ

Ekavi Kuvempu Janmashathamanothsava 24
Sri. C.  Ashwath and party  singing,
http://www.youtube.com/watch?v=KddkmSm_HDQ

Ekavi Kuvempu Janmashathamanothsava 25
Sri. C.  Ashwath and party  singing and Nruthya
http://www.youtube.com/watch?v=UhTclqPxmXY

Ekavi Kuvempu Janmashathamanothsava 26
Nruthya, Bramhi Troupe
http://www.youtube.com/watch?v=mb4yws6VuoY

Ekavi Kuvempu Janmashathamanothsava 27
Nruthya, Bramhi Troupe, oh banni sodarare bega banni
http://www.youtube.com/watch?v=X6zVx5yj-jM

Ekavi Kuvempu Janmashathamanothsava 28
Nruthya, Bramhi Troupe,
http://www.youtube.com/watch?v=W8nW-hbQK3c

Ekavi Kuvempu Janmashathamanothsava 22
Dance directed and BENAKA Chidrens Mandali – Bommanalli Kindara Jogi
http://www.youtube.com/watch?v=i40cwsHEW0c

Ekavi Kuvempu Janmashathamanothsava 29
BENAKA Chidrens Mandali – Bommanalli Kindara Jogi
http://youtube.com/watch?v=zrtakW-XypE

Ekavi Kuvempu Janmashathamanothsava 30
BENAKA Chidrens Mandali – Bommanalli Kindara Jogi
http://youtube.com/watch?v=tCIHmzxHVUw

Ekavi Kuvempu Janmashathamanothsava 31
BENAKA Chidrens Mandali – Bommanalli Kindara Jogi
http://youtube.com/watch?v=8hh_UbEwXag

Ekavi Kuvempu Janmashathamanothsava 32
BENAKA Chidrens Mandali – Bommanalli Kindara Jogi
http://youtube.com/watch?v=WKlSY_Y9IyA

Ekavi Kuvempu Janmashathamanothsava 33
BENAKA Chidrens Mandali – Bommanalli Kindara Jogi
http://youtube.com/watch?v=0DpC52PLYd0

Ekavi Kuvempu Janmashathamanothsava 34
BENAKA Chidrens Mandali – Bommanalli Kindara Jogi
http://youtube.com/watch?v=hJYtWW1iccc

Ekavi Kuvempu Janmashathamanothsava 35
BENAKA Chidrens Mandali – Bommanalli Kindara Jogi
http://youtube.com/watch?v=_EWAkxSEhc4

Dr. KAMBAR LETTERS on KSD

Dr. KAMBAR LETTERS

http://ellakavi.googlepages.com/dr.kambarletters

Dr. KAMBAR LETTER TO CM

http://ellakavi.googlepages.com/dr.kambarlettertocm

FONT ISSUES AKRUTHI BARAHA NUDI

http://ellakavi.googlepages.com/fontissues-akruti%2Cbarahaandnudi

Dr.Kambar on KSD M$ GoK

Dr.Kambar on KSD M$ GoK
http://picasaweb.google.com/vmkumaraswamy/DrKambarOnKSDMGoK?authkey=RXqznPbZJ_8

aadunika ugadalli kannada-sthitithi gathi

 Dr.Kambar on KSD M$ GoK
http://picasaweb.google.com/vmkumaraswamy/DrKambarOnKSDMGoK?authkey=RXqznPbZJ_8

Dr. Chandrasekhar B. Kambar

Bio-Data of Dr. Chandrasekhar B. Kambar

Date of Birth                           : January 2, 1937

Place of Birth                         : Ghodgeri, Belgaum District- Hukkeri Taluq, Karnataka

Nationality                              : Indian                                          

Education                               : MA., Ph.D., Karnataka University, Dharwad.

Professional Career : Taught in the University of Chicago (USA) from 1968 to 1970.

              Bangalore University, Bangalore from 1970 to 1991.

Cultural Responsibilities        :  Founder-Vice-chancellor

                                                   Kannada University, Hampi.  1991-1998

  Chairman

                                                  Karnataka Nataka Academy- 1983 to 1987

                                                  National School of Drama Society, New Delhi, from 1996 – 2000

                                                 Vice-Chairman

                                                  National School of Drama Society, New Delhi, 1986                                 

                                                  Member

                                                  Karnataka Nataka Academy, 1980 to 1983

                                                  Karnataka Folklore and Yakshagana Academy, 1980 to 1983

                                                 “Rangayana”, Karnataka Repertoire, Mysore, 1987 to 1991

                                                  Sahitya Academy, New Delhi, 1988 –

                                                  Sangeet Nataka Academy, New Delhi, 1992 to 1996, 1998-                   

  Executive Member

                                                  Sahitya Academy, New Delhi, 1992 to 1998

                                                  Sangeet Natak Academy, New Delhi, 1992 to 1998

                                                  National School of Drama Society, New Delhi, 1995 to 1996

                                                  Theatre Expert committee, Central Government, 1995-                

  Member of Theatre Expert Committee

                                                  Ford Foundation

                                                  Sangeet Natak Academy, New Delhi, 1998-

                                                  Bharath Bhavan, Bhopal

 

Dr. Chandrasekhar B. Kambar  is a leading poet, playwright and folklorist in Kannada. He has published 21 Plays, 8 collections of poems, 3 novels, and 12 research books on folklore, theatre, literature and education. He has also published an epic poem called ‘Chakori’. Presented papers on Indian Folklore and Theatre in the University of Chicago, American Oriental Centre-        New York, International Theatre Institute – Berlin (GDR), Moscow (USSR), Jade: Akita Japan, many Indian Universities, Sahitya Academy, Sangeet Natak Academy, New Delhi and other institutions. Visited China as a member of the Indian Delegation of writers. He was also invited by the French Government to see the Avenue Theatre Festival in 1998.  Complied the Kannada Folklore Dictionary for Kannada Sahitya Parishat, 1984. His plays have been widely translated and staged in several Indian languages and also published in English by Seagull Books, Calcutta. His epic poem is translated in English and has been published by Penguin Books. Eminent Directors of the Country have produced his plays in various centres of the country. Presided over State level conference on Theatre Literature conducted by Kannada Sahitya Parishat in 1993. Participated in the World Poetry Festivals in 1985 and 1996.

Awards and Honors        

Five of his books are given awards by Karnataka Sahitya Academy. His well Known play “Jokumaraswamy” has won the “Kamaladevi Chattopadhyaya” Award of  “Natya Sangh” as the best play of the year in India in 1975. His another play “Jaisidanayaka” won the                   “Vardhamaana Prasasti” as the “Best Book of the Year- 1975 in Karnataka.                               His “Saavirada Neralu” won the “Ashan Award”(Kerala) as the best collection of poems in 1982. He won the K.V.Shankare Gowda Award  for Theatre in 1990. He is the recipient of the Sangeet Nataka Academy Award, New Delhi for playwrighting in the year 1983 and Sahitya Academy Award New Delhi, for the play “Siri Sampige” in 1991.

FELICITATIONS

1.         Kannada Sahitya Parishat Vajramahotsava Festivals             …        1975

2.         Nandikar, Calcutta                                                                  …        1987

3.         Karnataka Nataka Academy                                                   …        1987

4.         Karnataka Government Rajyotsava Prasasti                           …        1988

5.         Karnataka  Sahitya Academy                                                 …        1989

6.         Sangeet Nataka Academy Award (New Delhi)                     …        1983

7.         Sahitya Academy Award for ‘Siri Sampige’ (New Delhi)     …        1991

8.         Janapada and Yakshagana Academy Award                         …        1993

9.         Maasti Prasasti                                                                        …        1997

10.       Padmashree                                                                             …        2001

11.       Kabeer Samman                                                                      …        2002

He has made 5 Feature Films and several Documentaries and composed music for 6 Feature Films, Several Documentaries and Tele Serials. His “Kaadu Kudure” entered into the Indian Panorama, in 1987 and won the National Award. His film “Sangeeta” won the 3^rd Best Feature Film State Award in the year 1981. He also won the following Awards:  

1.                  Best Story Writer

2.                  Best Dialogue Writer

3.                  Best Music Director

4.                  Best Director of the 3^rd Best Feature Film.  

He was a full bright Scholar in the year 1968-69. He was awarded the Ford Foundation Fellowship for interaction between Traditional/Folk Forms and the Modern Theatre, 1984-86. 

BOOKS PUBLISHED:

Poetry:                        1.         Mugulu –1958

2.                  Helatena Kela – 1964

3.                  Takararinavaru – 1971

(State Academy of Literature Award)

4.                  Saavirada Neralu – 1979

(Ashan Award – 1982, Kerala)

5.                  Aayda Kavanagalu – 1980

6.                  Belli Meenu – 1989

7.                  Akkakku Haadugale – 1993

8.                  EE varegina Helatena Kela – 1993

9.                  Chakori (Epic) – 1996

Plays:              1.         Bembattida Kannu – 1961

2.                  Narcissus – 1969

3.                  Rishyasringa (Filmed) – 1970

4.                  Jokumaraswamy – 1972

(Smt. Kamaladevi Chattopadhyaya Award of Natya Sangha as the Best Play of the Year in India and the State Academy of Literature Award)

5.                  Chalesha – 1973

6.                  Sangya Balya Anabeko Naadolaga – 1975

7.                  Kittiya Kathe – 1974

8.                  Jaisidanayaka – 1975

State Academy of Literature Award and Vardhamana Prasasti as the best book of the year in Kannada)

9.                  Alibaba (Translated and Published in Indian Literature, Sahitya Academy) – 1980

10.              Kaadu Kudure (Filmed and got National Award) – 1976

11.              Naayi Kathe ( Filmed as ‘Sangeeta’ and bagged 5 State Awards) – 1976

12.              Kharokhara – 1977

13.              Mathanthara – 1978

14.              Harakeya Kuri (Filmed and awarded National Award) – 1983

15.              Kambara Avara Natakagalu – 1984

16.              Sambashiva Prahasana – 1987

17.              Siri Sampige (Sahitya Academy Award,

 New Delhi, 1991) – 1980

18.              Huliya Neralu – 1990

19.              Boleshankara – 1991

20.              Pushpa Rani – 1990

21.              Tukrana Kanasu – 1989

                        22.              Mahamayi – 1999  

NOVELS and STORIES:

1.                  Anna Tangi – 1956

2.                  Karimaayi (Filmed) – 1975

3.                  G.K.Mastarara Pranaya Prasanga – 1986

(Filmed for Doordarshan)

4.                  Singarevva mattu Aramane – 1982

(State Academy of Literature Award – 1982)

RESEARCH:

1.                  Uttara Karnatakada Janapada Rangabhumi – 1965

2.                  Sangya Balya – 1966

3.                  Bannisi Hadavva Nana Balaga – 1968

4.                  Bayalatagalu – 1973

5.                  Matado Lingave – 1973

6.                  Namma Janapada – 1980

7.                  Bandire Nanna Jadeyolage – 1981

8.                  Kannada Folklore Dictionary (2 Vols) – 1985

9.                  Bedara Huduga Mattu Gili – 1989

(State Academy of Literature Award)

10.              Lakshapathi Rajana Kathe – 1986

11.              Kasigondu Seru – 1989

12.              Nelada Mareya Nidhana – 1993

13.              Brihaddesiya Chintana –2001

14.   An Anthology of Modern Indian Plays for National School of Drama – 2000                               

Dr. Kambara Letter on KSD to Hon. Minister Sri. M.P. Prakash dated June 26th 2004

qÁ. ZÀAzÀæ±ÉÃRgÀ PÀA¨ÁgÀ

¸ÀzÀ¸ÀågÀÄ, «zsÁ£À ¥ÀjµÀvÀÄÛ

44, “¹j¸ÀA¦UÉ”

1£É ªÀÄÄRå gÀ¸ÉÛ

§£À±ÀAPÀj ªÀÄÆgÀ£É ºÀAvÀ

£Á®Ì£É ¨ÁèPï

¨ÉAUÀ¼ÀÆgÀÄ – 560085

dÆ£ï 26, 2004

 

²æà JA. ¦. ¥ÀæPÁ±ï

¸À£Áä£Àå PÀAzÁAiÀÄ ¸ÀaªÀgÀÄ

PÀ£ÁlPÀ ¸ÀgÀPÁgÀ

«zsÁ£À ¸ËzsÀ

¨ÉAUÀ¼ÀÆgÀÄ 560001

«µÀAiÀÄ : UÀtQÃPÀgÀtzÀ°è PÀ£ÀßqÀ ¨sÁµÉAiÀÄ »vÁ¸ÀQÛUÀ¼À£ÀÄß PÁ¥ÁqÀ®Ä ¸ÀgÀPÁgÀªÀÅ vÉUÉzÀÄPÉƼÀî¨ÉÃPÁzÀ PÀæªÀÄUÀ¼À PÀÄjvÀÄ

ªÀiÁ£ÀågÉÃ,

EA¢£À F PÀA¥ÀÇålgï AiÀÄÄUÀzÀ°è PÀA¥ÀÇålgïUÀ¼À°è PÀ£ÀßqÀzÀ ¸ÀjAiÀiÁzÀ C¼ÀªÀrPÉ ªÀÄvÀÄÛ §¼ÀPÉ JµÀÄÖ CUÀvÀå JA§ÄzÀ£ÀÄß «ªÀj¹ ºÉüÀĪÀ CUÀvÀå«®è. «zÀÄå£Áä£À DqÀ½vÀ ªÀÄvÀÄÛ UÀtQÃPÀgÀtUÀ¼À ºÉ¸Àj£À°è PÀ£ÀßqÀ ªÀÄƯÉUÀÄA¥ÁUÀ¨ÁgÀzÀÄ. F CUÀvÀåUÀ¼À£ÀÄß ¸ÀjAiÀiÁVAiÉÄà ªÀÄ£ÀUÀAqÀ »A¢£À ¸ÀgÀPÁgÀªÀÅ PÀ£ÀßqÀ ªÀÄvÀÄÛ UÀtQÃPÀgÀtzÀ ºÀ®ªÀÅ ªÀÄd®ÄUÀ¼À §UÉÎ ¸ÀÆPÀÛ ¸À®ºÉ ¤ÃqÀ®Ä ªÀÄvÀÄÛ CªÀÅUÀ¼À C£ÀĵÁ×£ÀPÉÌ PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ JA§ ºÉ¸Àj£À ¸ÀA¸ÉÜAiÀÄ£Éß ¥ÀÇtðªÁV £ÉaÑPÉÆArvÀÄÛ. DzÀgÉ F ¢¸ÉAiÀÄ°è J®èªÀÇ ¸ÀjAiÀiÁVAiÉÄà £ÀqÉ¢zÉ J£ÀÄߪÀAw®è. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ vÀ£Àß ªÉÄÃ¯É ¸ÀgÀPÁgÀªÀÅ ElÖ £ÀA©PÉUÉ zÉÆæúÀ §UÉ¢zÉ.

        PÀ£ÀßqÀ ¨sÁµÉAiÀÄ£ÀÄß vÁAwæPÀªÁV PÀA¥ÀÇålj£À°è §¼À¸ÀĪÀ°è£À ¸ÀªÀĸÉåUÀ¼À£ÀÄß ¸ÀA±ÉÆÃzsÀ£ÁvÀäPÀ PÉ®¸ÀUÀ¼À ªÀÄÆ®PÀ ¥ÀjºÀj¸À¨ÉÃPÁzÀ PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ vÁ£Éà MAzÀÄ vÀAvÁæA±À vÀAiÀiÁjPÁ PÀA¥À¤AiÀÄAvÉ PÁAiÀÄð¤ªÀð»¸ÀĪÀ ªÀÄÆ®PÀ PÀ£ÀßqÀzÀ vÀAvÁæA±À vÀAiÀiÁgÀPÀgÀ£ÀÄß ¤gÀÄzÉÆåÃUÀUÉƽ¹zÉ JAzÀÄ DgÉÆÃ¥ÀUÀ¼ÀÄ §A¢ªÉ. F §UÉÎ ¸ÀgÀPÁgÀªÀÅ UÀªÀÄ£À ºÀj¸À¨ÉÃPÀÄ. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀwÛUÉ vÀAvÁæA±À vÀAiÀiÁgÀPÀgÀ vÀAvÁæA±ÀUÀ¼À£ÀÄß ¥ÀæªÀiÁtÂÃPÀj¸ÀĪÀ ºÉÆuÉUÁjPÉAiÀÄ£ÀÄß ¤ªÀð»¸À®Ä CUÀvÀåªÁzÀ vÁAwæPÀ ¥ÀjtwAiÀiÁUÀ°, ¸Ë®¨sÀåUÀ¼ÁUÀ° EgÀĪÀÅ¢®è JA§ CA±ÀUÀ¼ÀÄ ¨É¼ÀQUÉ §A¢ªÉ. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀwÛUÉ ¸ÀgÀPÁgÀªÀÅ, CAzÀgÉ ªÀiÁ»w vÀAvÀæeÁУÀ E¯ÁSÉ ªÀÄvÀÄÛ PÀ£ÀßqÀ C©üªÀÈ¢Þ ¥Áæ¢üPÁgÀ EªÀÅUÀ¼ÀÄ, ªÀ»¹PÉÆlÖ PÉ®¸ÀPÁAiÀÄðUÀ¼ÀÄ EzÀĪÀgÉ«UÀÆ C£ÀĵÁ×£ÀPÉÌ §A¢®è. EzÀPÉÌ PÁgÀtUÀ¼À£ÀÄß ¥ÀvÉÛºÀaÑ CªÀÅUÀ¼À£ÀÄß C£ÀĵÁ×£ÀPÉÌ vÀgÀĪÀÅzÀÄ CUÀvÀå«zÉ.

        ²æà PÉ. ¦. ¥ÀÇtðZÀAzÀæ vÉÃd¹éAiÀĪÀgÀÄ ¸ÀévÀ: UÀtPÀªÀ£ÀÄß PÀ£ÀßqÀzÀ°è §¼À¸ÀĪÀ  PÀ£ÀßqÀzÀ SÁåvÀ ¸Á»w, §gɺÀUÁgÀgÁVzÁÝgÉ. CªÀgÀÄ PÀ£ÀßqÀªÀ£ÀÄß ¸ÀªÀÄxÀðªÁV UÀtPÀUÀ¼À°è §¼À¸ÀĪÀ°è ªÀÄvÀÄÛ ªÀÄÄzÀæt ªÀÄvÀÄÛ ¥ÀæPÁ±À£ÀzÀ°è DUÀÄwÛgÀĪÀ vÁAwæPÀ vÉÆAzÀgÉUÀ¼À£ÀÄß ¤ªÁj¹PÉƼÀÄîªÀ GzÉÝñÀ¢AzÀ ªÉÄʸÀÆj£À ¨sÁgÀwÃAiÀÄ ¨sÁµÉUÀ¼À PÉÃA¢æÃAiÀÄ ¸ÀA¸ÉÜAiÀÄ°è ºÀ®ªÀÅ ¢£ÀUÀ¼À »AzÉ ¸À¨sÉAiÀÄ£ÀÄß £ÀqɹzÁÝgÉ. ¸À¨sÉAiÀÄ°è PÀ£ÀßqÀ ¨sÁµÁ   vÀdÐgÀÄ ªÀÄvÀÄÛ PÀ£ÀßqÀ ¸Á»wUÀ¼ÀÄ ¨sÁUÀªÀ»¹ ¸ÀªÀĸÉåUÀ¼À£ÀÄß «ªÀgÀªÁV ZÀað¹ CªÀÅUÀ½UÉ ¥ÀjºÁgÀUÀ¼À£ÀÄß ¥ÀnÖªÀiÁrzÁÝgÉ. D ¸À¨sÉAiÀÄ £ÀqÀªÀ½AiÀÄ ¥ÀæwAiÀÄ£ÀÄß vÀªÀÄä CªÀUÁºÀ£ÉUÉ EzÀgÉÆA¢UÉ ®UÀwÛ¹zÉÝãÉ.

“J®è PÀ£ÀßqÀ C©üªÀiÁ¤UÀ¼À CAvÁgÁ¶ÖçÃAiÀÄ ªÉâPÉ” “E-KAVI”JA§ ¸ÀAWÀl£ÉAiÀÄ ¸ÀAZÁ®PÀgÁVgÀĪÀ ²æà «. JA. PÀĪÀiÁgÀ¸Áé«ÄAiÀĪÀgÀÄ F «µÀAiÀÄzÀ §UÉÎ «±ÉõÀ D¸ÀQÛ ºÉÆA¢zÀÄÝ PÀ£ÀßqÀPÉÌ DVgÀĪÀ C£ÁåAiÀĪÀ£ÀÄß ¸Àj¥Àr¸À®Ä ºÉÆÃgÁqÀÄwÛzÁÝgÉ. CªÀgÀÄ PÀ£ÁðlPÀ ¸ÀgÀPÁgÀzÀ J®è PÁAiÀÄðzÀ²ðUÀ½UÀÆ ¸ÀaªÀjUÀÆ E-ªÉÄʯï, ¥ÀvÀæ, ¥sÉÇãï PÀgÉUÀ¼À ªÀÄÆ®PÀ ¸ÀA¥ÀQð¹ ªÀiÁ»w ¤Ãr PÉÆÃjPÉ ¸À°è¹ ¸ÀQæAiÀĪÁVzÁÝgÉ. V.M.Kumaraswamy has contacted me personally to take up this issue with Governament of Karnataka.

ªÉÄÃ¯É «ªÀj¹zÀ «µÀAiÀÄUÀ¼À »£É߯ÉAiÀÄ°è ªÀÄvÀÄÛ UÀtQÃPÀgÀtzÀ°è PÀ£ÀßqÀ ¨sÁµÉAiÀÄ »vÁ¸ÀQÛUÀ¼À£ÀÄß PÁ¥ÁqÀ®Ä, ªÀÄÄzÀæt ªÀÄvÀÄÛ ¥ÀæPÁ±À£À PÉëÃvÀæzÀ PÀ£ÀßrUÀgÀ vÁAwæPÀ vÉÆAzÀgÉUÀ¼À£ÀÄß ¤ªÁj¸À®Ä, PÀ£ÀßqÀ ªÀÄvÀÄÛ UÀtQÃPÀgÀt PÀÄjvÁzÀ «ZÁgÀUÀ¼À ZÀZÉð ªÀÄvÀÄÛ ²¥sÁgÀ¸ÀÄUÀ½UÉ MAzÀÄ ¥ÀævÉåÃPÀªÁzÀ “vÁAwæPÀ ¸À®ºÁ ¸ÁÜ¬Ä ¸À«Äw” AiÀÄÄ ¸ÀgÀPÁgÀzÀ ªÀÄlÖzÀ°è JA¢VAvÀ®Æ EAzÀÄ vÀÄA¨Á CUÀvÀå«zÉ JAzÀÄ £Á£ÀÄ ¨sÁ«¸ÀÄvÉÛãÉ. EzÀjAzÁV, KPÀ¥ÀQëÃAiÀĪÁV ¸ÀgÀPÁgÀªÀÅ AiÀiÁªÀÅzÉà MAzÀÄ ¸ÀAWÀl£ÉAiÀÄ£ÀÄß F PÉ®¸À PÁAiÀÄðUÀ½UÉ C¤ªÁAiÀÄðªÁV CªÀ®A©¸ÀĪÀÅzÀ£ÀÄß vÀ¦à¹, PÉ®¸À PÁAiÀÄðUÀ¼ÀÄ ¸ÀÄUÀªÀĪÁV £ÀqÉAiÀÄĪÀAvÉ £ÉÆÃrPÉƼÀî®Ä CAvÀºÀ vÁAwæPÀ ¸À®ºÁ ¸À«ÄwAiÀÄÄ CUÀvÀå«zÉ. F ¸À«ÄwAiÀÄ°è vÀAvÀæeÁÕ£À ¥ÀjtÂvÀgÀÄ, ¨sÁµÁ ¥ÀjtÂvÀgÀÄ ªÀÄvÀÄÛ vÀAvÀæeÁÕ£À ªÀÄvÀÄÛ ¨sÁµÉ JgÀqÀgÀ°èAiÀÄÆ vÀdÕgÁzÀªÀgÀÄ ¸ÀzÀ¸ÀågÁV EgÀ¨ÉÃPÀÄ.

EAvÀºÀ ¸À«ÄwAiÀÄ£ÀÄß DzÀµÀÄÖ ²ÃWÀæªÁV gÀa¹ UÀtPÀ ªÀÄvÀÄÛ PÀ£ÀßqÀzÀ PÉ®¸ÀPÁAiÀÄðUÀ¼ÀÄ ¸ÀÄUÀªÀĪÁV £ÀqÉAiÀÄ®Ä C£ÀĪÀŪÀiÁqÀ¨ÉÃPÉAzÀÄ £Á£ÀÄ vÀªÀÄä£ÀÄß PÉÆÃgÀÄvÉÛãÉ.

 

ªÀAzÀ£ÉUÀ¼ÉÆA¢UÉ,

                                                        vÀªÀÄä «±Áé¹,

 

                                                     (ZÀAzÀæ±ÉÃRgÀ PÀA¨ÁgÀ)

Dr. Kambara letter to Govt. of Karnataka dated June 29th 2004

 

 

qÁ. ZÀAzÀæ±ÉÃRgÀ PÀA¨ÁgÀ

¸ÀzÀ¸ÀågÀÄ, «zsÁ£À ¥ÀjµÀvÀÄÛ

44, “¹j¸ÀA¦UÉ”

1£É ªÀÄÄRå gÀ¸ÉÛ

§£À±ÀAPÀj ªÀÄÆgÀ£É ºÀAvÀ

£Á®Ì£É ¨ÁèPï

¨ÉAUÀ¼ÀÆgÀÄ – 560085

dÆ£ï 29, 2004

 

²æà zsÀªÀÄð¹AUï

¸À£Áä£Àå ªÀÄÄRåªÀÄAwæUÀ¼ÀÄ

PÀ£ÁlPÀ ¸ÀgÀPÁgÀ

«zsÁ£À ¸ËzsÀ

¨ÉAUÀ¼ÀÆgÀÄ 560001

 

    «µÀAiÀÄ : UÀtQÃPÀgÀtzÀ°è PÀ£ÀßqÀ ¨sÁµÉAiÀÄ »vÁ¸ÀQÛUÀ¼À£ÀÄß PÁ¥ÁqÀ®Ä ¸ÀgÀPÁgÀªÀÅ vÉUÉzÀÄPÉƼÀî¨ÉÃPÁzÀ PÀæªÀÄUÀ¼À PÀÄjvÀÄ

ªÀiÁ£ÀågÉÃ,

EA¢£À F PÀA¥ÀÇålgï AiÀÄÄUÀzÀ°è PÀA¥ÀÇålgïUÀ¼À°è PÀ£ÀßqÀzÀ ¸ÀjAiÀiÁzÀ C¼ÀªÀrPÉ ªÀÄvÀÄÛ §¼ÀPÉ JµÀÄÖ CUÀvÀå JA§ÄzÀ£ÀÄß «ªÀj¹ ºÉüÀĪÀ CUÀvÀå«®è. «zÀÄå£Áä£À DqÀ½vÀ (E-Governance) ªÀÄvÀÄÛ UÀtQÃPÀgÀtUÀ¼À (Computerisation) ºÉ¸Àj£À°è PÀ£ÀßqÀ ªÀÄƯÉUÀÄA¥ÁUÀ¨ÁgÀzÀÄ. F CUÀvÀåUÀ¼À£ÀÄß ¸ÀjAiÀiÁVAiÉÄà ªÀÄ£ÀUÀAqÀ »A¢£À ¸ÀgÀPÁgÀªÀÅ PÀ£ÀßqÀ ªÀÄvÀÄÛ UÀtQÃPÀgÀtzÀ ºÀ®ªÀÅ ªÀÄd®ÄUÀ¼À §UÉÎ ¸ÀÆPÀÛ ¸À®ºÉ ¤ÃqÀ®Ä ªÀÄvÀÄÛ CªÀÅUÀ¼À C£ÀĵÁ×£ÀPÉÌ PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ (PÀUÀ¥À) JA§ ºÉ¸Àj£À ¸ÀA¸ÉÜAiÀÄ£Éß ¥ÀÇtðªÁV £ÉaÑPÉÆArvÀÄÛ. DzÀgÉ F ¢¸ÉAiÀÄ°è J®èªÀÇ ¸ÀjAiÀiÁVAiÉÄà £ÀqÉ¢zÉ J£ÀÄߪÀAw®è. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ vÀ£Àß ªÉÄÃ¯É ¸ÀgÀPÁgÀªÀÅ ElÖ £ÀA©PÉUÉ zÉÆæúÀ §UÉ¢zÉ. CzÀÄ ºÉÃUÉAzÀgÉ-

1. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÛ£ÀÄß ¸ÀgÀPÁgÀªÀÅ PÀ£ÀßqÀ vÀAvÁæA±ÀUÀ¼À£ÀÄß (¸Á¥sïÖªÉÃgï) ¥ÀæªÀiÁtÂÃPÀj¸ÀĪÀ ¸ÀA¸ÉÜ JAzÀÄ £ÉëĹvÀÄ. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀwÛUÉ vÀAvÁæA±À vÀAiÀiÁgÀPÀgÀ vÀAvÁæA±ÀUÀ¼À£ÀÄß ¥ÀæªÀiÁtÂÃPÀj¸ÀĪÀ ºÉÆuÉUÁjPÉAiÀÄ£ÀÄß ¤ªÀð»¸À®Ä CUÀvÀåªÁzÀ vÁAwæPÀ ¥ÀjtwAiÀiÁUÀ°, ¸Ë®¨sÀåUÀ¼ÁUÀ° E®è.
2. ²µÀÖvÉUÀ¼À (standardisation) §UÉÎ CUÀvÀå ªÀiÁ»w ¤ÃqÀĪÀ PÀqÀvÀUÀ¼À (documents) vÀAiÀiÁj, ²µÀÖvÉUÉ ¸ÀA§A¢ü¹zÀ gÁ¶ÖçÃAiÀÄ ªÀÄvÀÄÛ CAvÁgÁ¶ÖçÃAiÀÄ ªÉâPÉUÀ¼À°è PÀ£ÀßqÀzÀ ¥Áæw¤zsÀå, UÀtPÀUÀ¼À°è PÀ£ÀßqÀzÀ C¼ÀªÀrPÉUÉ ¨ÉÃPÁzÀ ªÀÄÆ®¨sÀÆvÀ ¸ÀªÀ®vÀÄÛUÀ¼À vÀAiÀiÁj, EvÁå¢UÀ¼À£ÀÄß ªÀiÁvÀæ PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ vÀ£Àß ºÉÆuÉAiÀiÁV¹PÉƼÀî¨ÉÃQvÀÄÛ. DzÀgÉ PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ EzÀ£Éß®è UÁ½UÉ vÀÆjzÉ. PÀ£ÀßqÀzÀ ²µÀÖvÉUÉ ¸ÀA§AzsÀ¥ÀlÖAvÉ gÁ¶ÖçÃAiÀÄ ªÀÄvÀÄÛ §ºÀĪÀÄÄRåªÁV CAvÁgÁ¶ÖçÃAiÀÄ ªÉâPÉUÀ¼À°è (GzÁ: AiÀÄĤPÉÆÃqï PÀ£ï¸ÉÆÃnðAiÀÄA) PÀ£ÀßqÀªÀ£ÀÄß ¸ÀÆPÀÛ ªÀÄvÀÄÛ ªÉÊeÁÕ¤PÀªÁV ¥Àæw¤¢ü¸ÀĪÀÅzÀÄ, ¸ÀjAiÀiÁzÀ ±ÉéÃvÀ¥ÀvÀæUÀ¼À£ÀÄß vÀAiÀiÁj¹ C°èUÉ PÀ¼ÀÄ»¹PÉÆqÀĪÀÅzÀÄ, CAvÀgÀeÁ®zÀ (EAlgï£Émï) ªÀÄÆ®PÀ £ÀqÉAiÀÄĪÀ ZÀZÉðUÀ¼À°è ¨sÁUÀªÀ»¸ÀĪÀÅzÀÄ, EvÁå¢UÀ¼À£ÀÄß PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ £ÀqɸÀ¯Éà E®è.
3. PÀ£ÀßqÀ ¨sÁµÉAiÀÄ£ÀÄß vÁAwæPÀªÁV PÀA¥ÀÇålj£À°è §¼À¸ÀĪÀ°è£À ¸ÀªÀĸÉåUÀ¼À£ÀÄß ¸ÀA±ÉÆÃzsÀ£ÁvÀäPÀ PÉ®¸ÀUÀ¼À ªÀÄÆ®PÀ ¥ÀjºÀj¸À¨ÉÃPÁzÀ PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ vÁ£Éà MAzÀÄ vÀAvÁæA±À (¸Á¥sïÖªÉÃgï) vÀAiÀiÁjPÁ PÀA¥À¤AiÀÄAvÉ PÁAiÀÄð¤ªÀð»wÛzÉ.
4. ºÀ®ªÁgÀÄ SÁ¸ÀV PÀA¥É¤UÀ¼ÀÄ vÀÄA§ ªÀµÀðUÀ½AzÀ PÀ£ÀßqÀzÀ vÀAvÁæA±À (¸Á¥sïÖªÉÃgï) vÀAiÀiÁj ªÀiÁqÀÄwÛzÁÝgÉ. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ F J®ègÀ£ÀÄß «±Áé¸ÀPÉÌ vÉUÉzÀÄPÉƼÀÄîªÀÅzÀ£ÀÄß ©lÄÖ CªÀgÀ£ÀÄß C¸ÀàöȱÀågÀAvÉ zÀÆgÀ EnÖzÉ.

1. ²µÀÖvÉ §UÉÎ vÀÄA§ MvÀÄÛ PÉÆqÀĪÀ PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ ¸ÀgÀPÁgÀPÉÌ vÀAiÀiÁj¹ PÉÆlÖ ‘£ÀÄr’ vÀAvÁæA±ÀzÀ 3 ªÀÄvÀÄÛ 4£ÉAiÀÄ DªÀÈwÛUÀ¼À°è ¸ÀgÀPÁgÀzÀ PÀtÂÚUÉ ªÀÄAPÀħƢ JgÀa AiÀiÁªÀÅzÉà ²µÀÖvÉUÉ M¼À¥ÀqÀzÀ ¢é¨sÁµÁvÀäPÀ CPÀëgÀ«£Áå¸ÀªÀ£ÀÄß (bilingual font) ¤ÃrzÉ. F CPÀëgÀ«£Áå¸ÀªÀ£ÀÄß §¼À¹ zÁR°¹zÀ ªÀiÁ»wUÀ¼À UÀwAiÉÄãÀÄ?
2. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀwÛUÉ ¸ÀgÀPÁgÀªÀÅ, CAzÀgÉ ªÀiÁ»w vÀAvÀæeÁÕ£À E¯ÁSÉ ªÀÄvÀÄÛ PÀ£ÀßqÀ C©üªÀÈ¢Þ ¥Áæ¢üPÁgÀ EªÀÅUÀ¼ÀÄ, PÀ£ÁðlPÀ ¸ÀgÀPÁgÀzÀ ªÀw¬ÄAzÀ vÀAiÀiÁj¹zÀ ‘PÀA¥ÀÇålgï PÀ£ÀßrÃPÀgÀt QæAiÀiÁAiÉÆÃd£É’AiÀÄ CrAiÀÄ°è ªÀ»¹PÉÆlÖ PÉ®¸ÀPÁAiÀÄðUÀ¼À°è PÉ®ªÀÅ ªÀiÁvÀæ C£ÀĵÁ×£ÀPÉÌ §A¢ªÉ. DzÀgÉ CªÀÅUÀ½UÉ UÀÄtªÀÄlÖ E®è. E£ÀÄß½zÀªÀÅ EzÀĪÀgÉ«UÀÆ C£ÀĵÁ×£ÀPÉÌ §A¢®è. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀwÛUÉ vÀAvÁæA±À vÀAiÀiÁjAiÀÄ ¥Àjtw E®è JA§ÄzÀÄ EzÀjAzÀ ¸Á©ÃvÁUÀÄvÀÛzÉ. ¸ÀgÀPÁgÀªÀÅ AiÀiÁPÉ EzÀgÀ §UÉÎ ªÀiË£ÀªÀ»¹zÉ? F PÉ®¸ÀUÀ½UÉ JAzÀÄ ¸ÀgÀPÁgÀªÀÅ ¤UÀ¢¥Àr¹zÀ ºÀtzÀ°è JµÀÄÖ ºÀt ¸ÀgÀPÁgÀzÀ ¨ÉÆPÀ̸À¢AzÀ ºÉÆgÀºÉÆÃVzÉ? CzÀgÀ°è JµÀÄÖ ºÀt ¤dªÁV PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀwÛUÉ ¸ÀA¢zÉ? EzÀgÀ°è K£ÁzÀgÀÆ CªÀåªÀºÁgÀ £ÀqÉ¢zÉAiÉÄÃ? EªÀÅUÀ¼À£ÀÄß ¥ÀvÉÛºÀZÀѨÉÃPÁVzÉ. ºÁUÀÆ F AiÉÆÃd£ÉAiÀÄ CrAiÀÄ°è DUÀ¨ÉÃPÁzÀ PÉ®¸ÀPÁAiÀÄðUÀ¼À£ÀÄß ¥ÀÇtðUÉƽ¹ CªÀÅUÀ¼À£ÀÄß C£ÀĵÁ×£ÀPÉÌ vÀgÀĪÀÅzÀÄ CUÀvÀå«zÉ.
3. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ ªÀiÁ»w vÀAvÀæeÁÕ£À E¯ÁSÉUÉ ‘ªÉÃvÀ£À’ JAzÀ £ËPÀgÀjUÉ ¸ÀA§¼À ¯ÉPÁÌZÁgÀ ªÀiÁqÀĪÀ vÀAvÁæA±ÀªÀ£ÀÄß (¸Á¥sïÖªÉÃgï) vÀAiÀiÁj¹PÉÆnÖzÉ. CzÀÄ EgÀĪÁUÀ ²PÀët E¯ÁSÉAiÀĪÀgÀÄ AiÀiÁPÉ CjhÄêÀiï ¥ÉæÃAf ¥sËAqÉñÀ£ï ªÀÄÆ®PÀ E£ÉÆßAzÀÄ CzÉà ªÀiÁzÀjAiÀÄ vÀAvÁæA±À ªÀiÁr¹PÉƼÀÄîwÛzÁÝgÉ? PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀwÛ£À PÉ®¸ÀUÀ½UÉ ªÀÈwÛ¤gÀvÀgÀ PÉ®¸ÀUÀ¼À UÀÄtªÀÄlÖ E®è JAzÀÄ EzÀjAzÀ ªÉÃzÀåªÁUÀÄvÀÛzÉ.
4. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀwÛ£À ¸ÁÜ¥ÀPÀ ºÁUÀÆ DfêÀ ¸ÀzÀ¸ÀågÀ¯ÉÆè§âgÁVgÀĪÀ qÁ. AiÀÄÄ. ©. ¥ÀªÀ£Àd CªÀgÀÄ “PÀ£ÀßqÀ ¯ÉÆÃUÉÆÔ JA§ vÀAvÁæA±ÀªÀ£ÀÄß (¸Á¥sïÖªÉÃgï) vÀAiÀiÁj¹zÁÝgÉ. EzÀÄ 5jAzÀ 9£É vÀgÀUÀwAiÀÄ PÀ£ÀßqÀ ªÀiÁzsÀåªÀÄ ±Á¯ÁªÀÄPÀ̽UÉ PÀ£ÀßqÀ ¨sÁµÉAiÀÄ°è UÀtPÀ PÀæªÀÄ«¢ü gÀZÀ£É (PÀA¥ÀÇålgï ¥ÉÇæÃUÁæ«ÄäAUï) ªÀiÁqÀ®Ä G¥ÀAiÀÄÄPÀÛªÁVzÉ. EAvÀºÀ PÉ®¸À £ÀqÉ¢gÀĪÀÅzÀÄ ¨sÁgÀwÃAiÀÄ ¨sÁµÉUÀ¼À¯Éèà ¥Àæ¥ÀæxÀªÀÄ. F PÀ£ÀßqÀ ¯ÉÆÃUÉÆêÀÅ PÀ£ÀßqÀ C©üªÀÈ¢Þ ¥Áæ¢üPÁgÀzÀ ‘PÀA¥ÀÇålgï PÀ£ÀßrÃPÀgÀt QæAiÀiÁAiÉÆÃd£É’AiÀÄ°è CqÀPÀªÁVzÉ. EzÀ£ÀÄß vÀAiÀiÁj¸ÀĪÀ ºÉÆuÉAiÀÄ£ÀÄß PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀwÛUÉ ªÀ»¸À¯ÁVvÀÄÛ. qÁ. ¥ÀªÀ£Àd CªÀgÀÄ EzÀ£ÀÄß vÀAiÀiÁj¹ ªÀµÀðªÉà PÀ¼É¢zÉ. ¥ÀªÀ£ÀdgÀÄ £À£ÀUÉ w½¹zÀ ¥ÀæPÁgÀ F vÀAvÁæA±ÀzÀ ¥ÁævÀåQëPÉAiÀÄ£ÀÄß PÀ£ÀßqÀ C©üªÀÈ¢Þ ¥Áæ¢üPÁgÀzÀ ¤PÀl¥ÀǪÀð CzsÀåPÀëgÁVzÀÝ ¥ÉÇæ. §gÀUÀÆgÀÄ gÁªÀÄZÀAzÀæ¥Àà ºÁUÀÆ FV£À CzsÀåPÀëgÁzÀ ²æà ©. JA. E¢£À§â, ²PÀët E¯ÁSÉAiÀÄ PÁAiÀÄðzÀ²ðUÀ¼ÁVzÀÝ ²æà «. ¦. §½UÁgÀ, EªÀgÉ®è £ÉÆÃr F vÀAvÁæA±ÀªÀÅ PÀ£ÀßqÀ ªÀiÁzsÀåªÀÄzÀ°è PÀ°AiÀÄÄwÛgÀĪÀ ±Á¯ÁªÀÄPÀ̽UÉ ¤dPÀÆÌ vÀÄA§ G¥ÀAiÀÄÄPÀÛ JA§ C©ü¥ÁæAiÀĪÀ£ÀÄß ªÀåPÀÛ¥Àr¹zÁÝgÉ. DzÀgÉ UÀtPÀ ¥ÀjµÀvÀÄÛ F vÀAvÁæA±ÀªÀ£ÀÄß ¥ÀªÀ£ÀdjAzÀ vÉUÉzÀÄPÉÆAqÀÄ ¸ÀgÀPÁgÀPÉÌ ¸À°è¹®è. EzÀjAzÁV PÀ£ÀßqÀ ªÀiÁzsÀåªÀÄzÀ°è PÀ°AiÀÄÄwÛgÀĪÀ ¸Á«gÁgÀÄ ±Á¯ÁªÀÄPÀ̽UÉ £ÀµÀÖªÁVzÉ. ¸ÀgÀPÁgÀªÀÅ AiÀiÁPÉ F §UÉÎ ªÀiË£ÀªÁVzÉ?
5. ²æà PÉ. ¦. ¥ÀÇtðZÀAzÀæ vÉÃd¹éAiÀĪÀgÀÄ ¸ÀévÀ: UÀtPÀªÀ£ÀÄß PÀ£ÀßqÀzÀ°è §¼À¸ÀĪÀ PÀ£ÀßqÀzÀ SÁåvÀ ¸Á»w, §gɺÀUÁgÀgÁVzÁÝgÉ. CªÀgÀÄ PÀ£ÀßqÀªÀ£ÀÄß ¸ÀªÀÄxÀðªÁV UÀtPÀUÀ¼À°è §¼À¸ÀĪÀ°è ªÀÄvÀÄÛ ªÀÄÄzÀæt ªÀÄvÀÄÛ ¥ÀæPÁ±À£ÀzÀ°è DUÀÄwÛgÀĪÀ vÁAwæPÀ vÉÆAzÀgÉUÀ¼À£ÀÄß ¤ªÁj¹PÉƼÀÄîªÀ GzÉÝñÀ¢AzÀ ªÉÄʸÀÆj£À ¨sÁgÀwÃAiÀÄ ¨sÁµÉUÀ¼À PÉÃA¢æÃAiÀÄ ¸ÀA¸ÉÜAiÀÄ°è ºÀ®ªÀÅ ¢£ÀUÀ¼À »AzÉ ¸À¨sÉAiÀÄ£ÀÄß £ÀqɹzÁÝgÉ. ¸À¨sÉAiÀÄ°è PÀ£ÀßqÀ ¨sÁµÁ vÀdÕgÀÄ ªÀÄvÀÄÛ PÀ£ÀßqÀ ¸Á»wUÀ¼ÀÄ ¨sÁUÀªÀ»¹ ¸ÀªÀĸÉåUÀ¼À£ÀÄß «ªÀgÀªÁV ZÀað¹ CªÀÅUÀ½UÉ ¥ÀjºÁgÀUÀ¼À£ÀÄß ¥ÀnÖªÀiÁrzÁÝgÉ. F ¸À¨sÉAiÀÄ°è PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀwÛ£À ¥ÀæzsÁ£À PÁAiÀÄðzÀ²ðUÀ¼ÁzÀ ²æà ²æãÁxÀ ±Á¹Ûç ªÀÄvÀÄÛ PÁAiÀÄðPÁj ¸À«Äw ¸ÀzÀ¸ÀågÁzÀ qÁ. ¥ÀArvÁgÁzsÀå CªÀgÀÄ PÀÆqÀ ¨sÁUÀªÀ»¹zÀÝgÀÄ. DzÀgÉ £À£ÀUÉ ²æà ¥ÀÇtðZÀAzÀæ vÉÃd¹éAiÀĪÀgÀÄ w½¹zÀAvÉ D ¸À¨sÉAiÀÄ°è JwÛzÀ ºÀ®ªÀÅ ¥Àæ±ÉßUÀ½UÉ ²æà ²æãÁxÀ ±Á¹ÛçAiÀĪÀjAzÀ AiÀiÁªÀÅzÉà ¸ÀªÀÄ¥ÀðPÀ GvÀÛgÀ §gÀ°®è. D ¸À¨sÉAiÀÄ £ÀqÀªÀ½AiÀÄ ¥ÀæwAiÀÄ£ÀÄß vÀªÀÄä CªÀUÁºÀ£ÉUÉ EzÀgÉÆA¢UÉ ®UÀwÛ¹zÉÝãÉ.
6. ‘£ÀÄr’ vÀAvÁæA±ÀªÀ£ÀÄß N¥À£ï ¸ÉÆøïð ªÀiÁqÀ®Ä ¥ÀjµÀwÛUÉ C£ÉÃPÀ ¨Áj °£ÀPïìì vÀAqÀzÀ ºÀ®ªÁgÀÄ GvÁì» AiÀÄĪÀ vÀAvÀædÕgÀÄ MvÁ۬ĹzÁÝgÉ. CzÉà jÃwAiÀÄ°è qÁ. ¥ÀªÀ£ÀdgÀªÀgÀÆ ¸ÀºÀ MvÁ۬ĹzÁÝgÉ. PÀ£ÀßqÀzÀ »vÀzÀȶ֬ÄAzÀ £ÀÄrAiÀÄÄ N¥À£ï¸ÉÆøïð DUÀĪÀÅzÀÄ CUÀvÀåªÁVzÉ. PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ CzÀ£ÀÄß AiÀiÁPÉ N¥À£ï¸ÉÆøïð DV ªÀiÁqÀÄwÛ®è? ¸ÀgÀPÁgÀPÉÌ £ÀÄrAiÀÄ£ÀÄß vÀAiÀiÁj¹ PÉÆlÖzÀÄÝ, ¥ÀjµÀvÀÄÛ. CzÀPÁÌV ¸ÀgÀPÁgÀ¢AzÀ C£ÀÄzÁ£ÀªÀ£ÀÄß ¥ÀqÉ¢zÉ. ¸ÁªÀðf¤PÀ ºÀt¢AzÀ vÀAiÀiÁgÁzÀ `£ÀÄr’ N¥À£ï¸ÉÆøïð ªÀiÁqÀ®Ä PÀUÀ¥ÀªÉà ªÉÆzÀ® ºÉeÉÓ EqÀ¨ÉÃPÀÄ. F §UÉÎ AiÀiÁPÉ PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀvÀÄÛ ¸ÀgÀPÁgÀPÉÌ ¸À®ºÉ ¤Ãr®è?
7. F J®è PÁgÀtUÀ½AzÁV PÀA¥ÀÇålgïUÀ¼À°è PÀ£ÀßqÀ ¨sÁµÉAiÀÄ C¼ÀªÀrPÉ ªÀÄvÀÄÛ §¼À¸ÀÄ«PÉ ºÀvÀÄÛ ªÀµÀðUÀ¼ÀµÀÄÖ »AzÉ ©¢ÝzÉ.

“J®è PÀ£ÀßqÀ C©üªÀiÁ¤UÀ¼À CAvÁgÁ¶ÖçÃAiÀÄ ªÉâPÉ” (E-KAVI, F-PÀ«) JA§ ¸ÀAWÀl£ÉAiÀÄ ¸ÀAZÁ®PÀgÁVgÀĪÀ ²æà «. JA. PÀĪÀiÁgÀ¸Áé«ÄAiÀĪÀgÀÄ F «µÀAiÀÄzÀ §UÉÎ «±ÉõÀ D¸ÀQÛ ºÉÆA¢zÀÄÝ PÀ£ÀßqÀPÉÌ DVgÀĪÀ C£ÁåAiÀĪÀ£ÀÄß ¸Àj¥Àr¸À®Ä ºÉÆÃgÁqÀÄwÛzÁÝgÉ. CªÀgÀÄ PÀ£ÁðlPÀ ¸ÀgÀPÁgÀzÀ J®è PÁAiÀÄðzÀ²ðUÀ½UÀÆ ¸ÀaªÀjUÀÆ E-ªÉÄʯï, ¥ÀvÀæ, ¥sÉÇãï PÀgÉUÀ¼À ªÀÄÆ®PÀ ¸ÀA¥ÀQð¹ ªÀiÁ»w ¤Ãr PÀ£ÀßqÀ UÀtPÀ ¥ÀjµÀwÛ¤AzÁV PÀ£ÀßqÀ ¨sÁµÉUÉ DUÀÄwÛgÀĪÀ C£ÁåAiÀÄUÀ¼À£ÀÄß ¸Àj¥Àr¸ÀĪÀAvÉ PÉÆÃjPÉ ¸À°è¹zÁÝgÉ. ¸ÀgÀPÁgÀªÀÅ AiÀiÁPÉ EzÀgÀ §UÉÎ PÀæªÀÄ PÉÊUÉƼÀÄîwÛ®è?

ªÉÄÃ¯É «ªÀj¹zÀ «µÀAiÀÄUÀ¼À »£É߯ÉAiÀÄ°è ªÀÄvÀÄÛ UÀtQÃPÀgÀtzÀ°è PÀ£ÀßqÀ ¨sÁµÉAiÀÄ »vÁ¸ÀQÛUÀ¼À£ÀÄß PÁ¥ÁqÀ®Ä, ªÀÄÄzÀæt ªÀÄvÀÄÛ ¥ÀæPÁ±À£À PÉëÃvÀæzÀ PÀ£ÀßrUÀgÀ vÁAwæPÀ vÉÆAzÀgÉUÀ¼À£ÀÄß ¤ªÁj¸À®Ä, PÀ£ÀßqÀ ªÀÄvÀÄÛ UÀtQÃPÀgÀt PÀÄjvÁzÀ «ZÁgÀUÀ¼À ZÀZÉð ªÀÄvÀÄÛ ²¥sÁgÀ¸ÀÄUÀ½UÉ MAzÀÄ ¥ÀævÉåÃPÀªÁzÀ “vÁAwæPÀ ¸À®ºÁ ¸ÁÜ¬Ä ¸À«Äw” AiÀÄÄ ¸ÀgÀPÁgÀzÀ ªÀÄlÖzÀ°è JA¢VAvÀ®Æ EAzÀÄ vÀÄA¨Á CUÀvÀå«zÉ JAzÀÄ £Á£ÀÄ ¨sÁ«¸ÀÄvÉÛãÉ. EzÀjAzÁV, KPÀ¥ÀQëÃAiÀĪÁV ¸ÀgÀPÁgÀªÀÅ AiÀiÁªÀÅzÉà MAzÀÄ ¸ÀAWÀl£ÉAiÀÄ£ÀÄß F PÉ®¸À PÁAiÀÄðUÀ½UÉ C¤ªÁAiÀÄðªÁV CªÀ®A©¸ÀĪÀÅzÀ£ÀÄß vÀ¦à¹, PÉ®¸À PÁAiÀÄðUÀ¼ÀÄ ¸ÀÄUÀªÀĪÁV £ÀqÉAiÀÄĪÀAvÉ £ÉÆÃrPÉƼÀî®Ä CAvÀºÀ vÁAwæPÀ ¸À®ºÁ ¸À«ÄwAiÀÄÄ CUÀvÀå«zÉ. F ¸À«ÄwAiÀÄ°è vÀAvÀæeÁÕ£À ¥ÀjtÂvÀgÀÄ, ¨sÁµÁ ¥ÀjtÂvÀgÀÄ ªÀÄvÀÄÛ vÀAvÀæeÁÕ£À ªÀÄvÀÄÛ ¨sÁµÉ JgÀqÀgÀ°èAiÀÄÆ vÀdÕgÁzÀªÀgÀÄ ¸ÀzÀ¸ÀågÁV EgÀ¨ÉÃPÀÄ.

EAvÀºÀ ¸À«ÄwAiÀÄ£ÀÄß DzÀµÀÄÖ ²ÃWÀæªÁV gÀa¹ UÀtPÀ ªÀÄvÀÄÛ PÀ£ÀßqÀzÀ PÉ®¸ÀPÁAiÀÄðUÀ¼ÀÄ ¸ÀÄUÀªÀĪÁV £ÀqÉAiÀÄ®Ä C£ÀĪÀŪÀiÁqÀ¨ÉÃPÉAzÀÄ £Á£ÀÄ vÀªÀÄä£ÀÄß PÉÆÃgÀÄvÉÛãÉ.

ªÀAzÀ£ÉUÀ¼ÉÆA¢UÉ,

vÀªÀÄä «±Áé¹,

(ZÀAzÀæ±ÉÃRgÀ PÀA¨ÁgÀ)

KGP – What it is? What it has done? – By Anbarasan pf PEOPLESOFT

KGP – What it is? What it has done? – By Anbarasan pf PEOPLESOFT

 

In all its reality KGP is not qualified for developing Kannada software on the following grounds:

1. KGP was not existing for three years prior to sanctioning funds.
2. KGP has not developed any software prior to sanctioning of funds.
3. KGP is a certifying agency. A certifying agency itself can’t enter into development of competitive products which they are supposed to certify as it is most illogic like a referee, umpire or an examiner himself taking the competition by himself.

 

KGP doesn’t have any expertise in developing software. KGP has developed Nudi in a clandestine manner. As KGP is the certifying agency, all the Kannada software developers have submitted their software. KGP gained inner details by means of demonstration and discussions etc with developers (please note that GoK has not disclosed any details on developing their Kannada software Nudi). KGP pirated the fonts submitted to it by various Kannada software developers.